Showing posts with label painted portraits. Show all posts
Showing posts with label painted portraits. Show all posts

Saturday, September 11, 2010

Monique

Monique
8x10 inches
Acrylics on Canson Mi Teintes Tex Card
This was the commission I completed a few weeks ago, when experimenting with a few different mediums and finally settled on the acrylics. This portrait was another example of where I was given a wonderful reference photo to work with, which made my job so much more enjoyable. A delightful looking littel girl, and because the photo was taken outside, there are beautiful reflections in her eyes which really add to her portrait. So, many of the same principals I outlined in my last blog for taking good reference photos for pet portraits also apply when taking photos for people portraits.

Taking Good Reference Photos for Pet Portraits

Lady
8x10 inches
Acrylics on Canson Mi-Teintes Tex card















I wanted to show these two reference photos as a guide to show how to get the best reference photos for your commissioned portraits. Both of these photos were sent by the same client, and without a doubt, I knew straight away that the photo on the left would be perfect and yet the photo on the right is probably more typical of the kind of reference photos I am often sent.

The reasons the photo on the left is so much better include:

The dog is at eye level - I am often sent photos where the owner is standing over their pet, and looking down on them, but as you can see in this composition, with the dog sitting on the table, that it is so much more pleasing and somehow gives the animal ownership of the portrait, rather than looking submissive.

There is a natural light source coming from one side of the pet - Natural light is almost always better than flashlight, and in particular in this case, where you have a strong natural light source from the window contrasting with the darker shadows behind the dog. Your portrait will be so much more interesting if you can achieve these contrasts in your lighting. Portrait artists can usually make some improvements to a photo, such as removing flashlight from the eyes, but creating a masterpiece from an average photo is usually beyond most of us mere mortal artists.
It is especially important to have a contrast of lighting if your pet is either all white, or all black, as it then becomes even more important to seek out any highlights or shadows which will prevent the portrait from looking flat.

Try to avoid front on photos. Your portrait will be far more pleasing if your pet is positioned on an angle. Clients often spend hours trying to get their reluctant pets to look at the camera, thinking that this will make the best photo, but in a lot of cases this only creates foreshortening of their facial features, and creates a dull image. If you would prefer to have your pet looking at the camera, try to have them sitting side on, and encourage them to turn their head toward the camera. Don't be afraid to experiment with different angles. Often the animals will avoid looking at the camera because of the flashlight, but don't be disheartened - be imaginitive and you may find your portrait looks much better anyway!!!

If at all possible avoid using a flash!!! The two best options are to position your pet near a natural light source as in the photo above, or else take your pet outside for the photo. When taking the photo outside, it is also ideal to try to aim for some contrasts in lighting so perhaps sitting your pet near a shady tree. Flash light creates unnatural lighting and taking the photo indoors without good lighting will make it hard to capture accurately the colour of your pet's coat and eyes.

Whilst this may seem like a lot of effort to go to, it really is worth it if you would like the best possible portrait of your precious pet.

Tuesday, August 24, 2010

Jack II Portrait, a couple of awards and a Tutorial

Jack
8x10 inches
Acrylics on Canson Mi-Teintes Tex Card

I promised by brother and sister-in-law that I would do a portrait of their gorgeous little son Jack when he was first born, and he turns one next week, so here it is (better late than never)
I was thrilled to get a couple of awards in the miniature section of the Art Exhibition at the Penrith Show and the Penrith City Council Encouragement award for 'A Life Well Spent' and 'Carnivale Juggler' this week.

For anyone interested in step by step tutorials on working in pencil on drafting film, the tutorial for drawing this eye came out last week in Fine Arts and Decorative Painting magazine, Vol 17 No. 12.
I helped out at the youngest fellow's athletics carnival today, so that's all from me - I'm dead on my feet!!! Cheers to all :))


Thursday, August 19, 2010

Baby Self Portrait

Baby Self Portrait
8x10 inch
Acrylics and some pastels on Canson Mi-Teintes Tex Card
This portrait was really done for a challenge for the portraiture group on RedBubble. I like this one much better than my adult self portrait, and I bet you can tell from the portrait, that it was quite an OLD reference photo - LOL!!!

Wednesday, August 18, 2010

Acrylic Portraits - Steph

Steph
8x10 inches
Acrylics on Canson Mi-teintes Tex paper (with a hint of coloured pencil and pan pastels)
This was my second portrait using acrylics, and was actually a little more challenging than the first because of the dark skin tones from the cast shadows. I always prefer doing softer, lighter skin tones, but couldn't resist using this beautiful reference photo of my Goddaughter Steph, who actually turned 18 last week. How time flies!!! This portrait will the first used as a sample for my painted portrait listings.